I’ve just finished a rough area of my novel where the characters have to deal with an intense emotional crisis. Now, it seems like these are the fun scenes to write – the scenes where everything comes to a head. But it’s been such slow going.
Putting people, even imaginary ones, through hell is just no fun. First, there’s the actual pain that must be caused. Second is the reaction to said pain. Third is the challenge of writing a pain-charged scene without coming across as preachy or sentimental. It’s tiring and trying.
The page count slows down because the ‘internal editor’ kicks in saying things like “So-and-so wouldn’t do that!” “How whiny are you trying to make this?” and “Sappy, sappy, sappy.”
I’m not quite done with the scene that I’m working on, but I’m over the hump. I know what needs to happen. Now there’s just saying good-bye and then it’s off the subplot and on to the main story arc. (Yes, that was just the subplot, but it drives a lot of what happens next in the main narrative.)
So, what do you do when you want to avoid sounding whiny, preachy, and now-the-reader-must-cry?
Jenny writes dark fiction that her mother hates. Her stories and essays have appeared in Across the Margin, Pantheon, Shimmer, Black Denim Lit, Skive, and others. When she’s not writing her own stuff, she’s reading mysteries for Criminal Element. When she’s not writing fiction or reviews, she’s writing/directing/performing/designing plays at Springs Ensemble Theatre.