Where Crime, Horror, and Science Fiction Meet – Discussing new discoveries, old mysteries, creepy tales, and dark storytelling
Strong POV characters dominate Tana French’s novels. Each of her people have definite ideas about life, love, work, and how things should be done. This allows each novel to be its own complete thing. And there’s a really cool thing French does that makes these characters even more interesting — and that’s making her characters…
Today, I bring you a special edition guest post from our friend John. Last week, I talked about men writing women, and we thought it would be fun to get the other side of the story. So, without further ado, here’s what John has to say about it. “How do you write women so well?”…
Robert Baratheon, Eddard Stark, Jamie Lannister, Tywin Lannister… What do all of these characters have in common? Power and strength. These are the guys who have the guts, the glory, and/or the gold. Arya Stark, Tyrion Lannister, Jon Snow, Daenerys Targaryen… Here are the underdogs. They don’t have the strength, they don’t have the political…
Confession time: I watched the entire first season of the Game of Thrones HBO series before I read the books. I know. I know. It was very Impure Reader of me. I should be thrown on the hellfire that awaits those who use CliffsNotes to write research papers. (Yeah, I know! There are people out there that do that!…
Read more When the Learning Curve is Steep – Sometimes HBO Can Help
I’m always hesitant when it comes to a Dramatis Personae list anywhere in a book. What it means to me is this: there are too many characters to handle. It means there are too many threads to follow through to a full conclusion. It means that there is so much information gathered in the text…
In honor of George R. R. Martin’s complicated characters, this week’s writing prompt is all about character twist. One of the my favorite characters that I love to hate is Jamie Lannister. He starts off as a total creeper and then you see a few more things that really make your skin crawl. I mean,…
Today I’m going to follow up on my earlier post about The Year of the Flood. I had talked about Atwood’s world building, which is immersive and draws me right in. She doesn’t info dump, but rather, she gives little glimpses to draw you in. It’s like the world-building peep show. On the second page…
On Monday, while discussing young adult literature, I utilized a ‘bedroom’ dark metaphor. The argument being that you can see in the dark if there is some light trickling in. In my opinion, all young adult literature – all good young adult literature – has that little bit of light trickling in, even if it’s…
Many academic articles have been written on Kerouac and the sense of place and time evoked in On the Road. I’m sure a great part of that reason is that place and time are very integral to the format of the book – so it makes a lot of sense. Even I noticed that place…
“New Criticism locates meaning in the internal qualities of literary works, specifically the unity of their multiple verbal structures. as much as it values unity and convergence, New Criticism eschews authorial intent and historical context as bases for interpretation, although it allows that they might supplement understanding.” ~Joshua Kupetz, “The Straight Line Will Take You…
